| Role | Actual | Credit | |------|--------|--------| | Bass | Daisley | Daisley | | Lyrics | Daisley (all except “Crazy Train”) | Ozzy Osbourne | | Music co-write | Daisley & Rhoads | Ozzy Osbourne/Rhoads/Daisley/Kerslake |
Because "For Facts Sake" was self-published through Daisley's own channels to prevent corporate editing or legal suppression, physical copies have occasionally gone out of print, becoming highly prized collector's items. This scarcity has naturally driven fans to look for PDF versions, e-books, and new digital editions online. Supporting the Artist and the Truth
| Year | Artist | Album | Daisley’s role | |------|--------|-------|----------------| | 1978 | Rainbow | Long Live Rock ’n’ Roll | Bass | | 1979 | Gary Moore | Back on the Streets | Bass, co-writer | | 1980 | Ozzy Osbourne | Blizzard of Ozz | Bass, lyrics, co-writer | | 1981 | Ozzy Osbourne | Diary of a Madman | Bass, lyrics, co-writer | | 1982 | Gary Moore | Corridors of Power | Bass | | 1983 | UFO | Making Contact | Bass, co-writer | | 1986 | Uriah Heep | Equator | Bass | | 1988 | Ozzy Osbourne | No Rest for the Wicked | Co-writer (lyrics/music) | | 1991 | Ozzy Osbourne | No More Tears | Co-writer (4 tracks) | | 2004 | Living Loud | Living Loud | Bass, vocals, co-writer |
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For Facts Sake is the acclaimed autobiography of rock bassist, songwriter, and lyricist Bob Daisley . Known for his significant contributions to the careers of Ozzy Osbourne Black Sabbath Gary Moore
: Ozzy Osbourne, Zakk Wylde, Bob Daisley, Randy Castillo (drums). This album restored his co-writing credit.
For years, there have been disputes and misinformation surrounding Daisley's role in writing some of Ozzy Osbourne's most popular songs, including "Bark at the Moon" and "Mr. Crowley." While Daisley's credits on these songs have been widely acknowledged, some have sought to downplay or even deny his contributions. | Role | Actual | Credit | |------|--------|--------|
The central theme of the book is the creative dynamic between Daisley, guitarist Randy Rhoads, and drummer Lee Kerslake. Daisley details how he and Rhoads were the primary architects of the Blizzard of Ozz and Diary of a Madman albums, often writing the music and lyrics while Ozzy was absent or intoxicated. He presents diary entries and copyright registration documents to prove that he and Rhoads were the creative engine of the band, challenging the narrative that Ozzy was the sole writer.
Moreover, this guide serves as a testament to Daisley's enduring legacy as a musician and songwriter. Despite the controversies that have surrounded his contributions, Daisley's impact on rock music is undeniable, and his story serves as a fascinating look into the world of rock 'n' roll.
The title For Facts Sake is a brilliant play on words that highlights Daisley’s primary motivation for writing the book entirely by himself, without the aid of ghostwriters. Over the years, massive corporate machinery and aggressive management tactics sought to minimize, and at times completely erase, the contributions of Daisley and drummer Lee Kerslake. The most infamous flashpoint occurred in 2002, when the original bass and drum tracks for Blizzard of Ozz and Diary of a Madman were notoriously re-recorded by Robert Trujillo and Mike Bordin in an attempt to bypass royalty disputes. This link or copies made by others cannot be deleted
If you have ever hummed along to the chorus of “Crazy Train” or marvelled at the intricate basslines on Diary of a Madman , you owe it to yourself to read – and to remember the man behind the music.
Stories from the Rainbow and Black Sabbath days. Don Arden: Insights into the notorious manager. "For Facts Sake" PDF 1 New: Finding the Best Edition