Etranges Exhibitions 2002 Benjamin Beaulieu Jun 2026

The film's distinct atmosphere is the result of a collaborative effort from notable figures in French television and cult cinema. Benjamin Beaulieu & Laurent Lévy (Directors)

. Broadcast during the golden era of late-night adult programming on French television, this film combined corporate espionage, relationship drama, and voyeuristic themes into a stylized narrative. Produced during a period of shifting media landscapes, it remains a nostalgic piece of cult media for collectors of early 2000s European television cinema. Production and Creative Team etranges exhibitions 2002 benjamin beaulieu

The only purely digital entry, this exhibition existed solely as a .ZIP file passed via peer-to-peer networks like eMule and Kazaa. Tagged with the metadata "etranges exhibitions 2002 benjamin beaulieu," the file contained 47 JPEGs. Each image was a high-resolution scan of a 19th-century cabinet card, onto which Beaulieu had digitally painted "errors": extra fingers, mirrored organs, impossible shadows. When art historians tried to trace the original photos, they discovered the cabinet cards never existed. Beaulieu had generated the "antique" photos himself, then artificially aged them. He was doing AI-style hallucination years before generative adversarial networks were invented. The film's distinct atmosphere is the result of

Behind the scenes, the film is a co-production directed by and Laurent Lévy . The screenplay was a collaborative effort by Céline Guyot, Martin Guyot, and Philippe Carcout, who also contributed to the adaptation. The film's score was composed by Jacques-Emmanuel Rousselon (credited as Jack Russel), and Markus Walman handled the cinematography. Produced during a period of shifting media landscapes,

"Beaulieu is either a genius or a con man who accidentally summoned something. His artist statement said: ‘These exhibitions are étranges because they exhibit you.’ I felt naked. Not metaphorically. My coat was still on."